Released Sept 2017
nWith their most recent project, the score for Paterson (2016), SQU¨RL (Carter Logan and Jim Jarmusch) took inspiration from their performances live-scoring Man Ray’s surrealist silent films and made a dive into the ocean of ambient electronic music. The poetry of Jarmusch’s latest fiction film offering requested a slightly different approach in texture, timbre and tone than the band’s usual sound, leading them to employ primarily analog synthesizers and leave drums and guitars behind. Feedback gives way to glass harmonica drones, kick drums to sub-bass punctuation marks. “It’s ambient, dreamy stuff,” Jarmusch told IndieWire while promoting the film’s release. While a brighter counterpoint to some of SQU¨RL’s previous work, including their Live at Third Man Records LP, using some new tools, the band’s purpose has remained to create their own variation on ecstatic music.